''Compulsively readable ... A nail-biting love story and a witty page-turner about the pros and cons of human civilization'' Emma Donoghue, bestselling author of Haven The new novel from the Women''s Prize-winning, bestselling author of The Power , The Future is a white-knuckle tour de force and dazzling exploration of the world we have made and where we are going. The Future is where the money is. The Future is a few billionaires leading the world to destruction. The Future is a handful of friends hatching a daring plan. The Future is the greatest heist ever? Or the cataclysmic end of civilisation... The Future is here. ''A rollicking, fun-packed thriller with juicy stakes, constantly escalating twists, and a cast of characters who feel like they already exist somewhere out there in our fragile, free-wheeling present'' Alastair Reynolds, author of Eversion

From one of our most powerful writers, a work of stunning frankness about losing a daughter. Richly textured with bits of her own childhood and married life with her husband, John Gregory Dunne, and daughter, Quintana Roo, this new book by Joan Didion examines her thoughts, fears, and doubts regarding having children, illness, and growing old. Blue Nights opens on July 26, 2010, as Didion thinks back to Quintana''s wedding in New York seven years before. Today would be her wedding anniversary. This fact triggers vivid snapshots of Quintana''s childhood - in Malibu, in Brentwood, at school in Holmby Hills. Reflecting on her daughter but also on her role as a parent, Didion asks the candid questions any parent might about how she feels she failed either because cues were not taken or perhaps displaced. ''How could I have missed what was clearly there to be seen?'' Finally, perhaps we all remain unknown to each other. Blue Nights - the long, light evening hours that signal the summer solstice, ''the opposite of the dying of the brightness, but also its warning'' - like The Year of Magical Thinking before it, is an iconic book of incisive and electric honesty.

Set in a historical moment of moral crisis, Crossroads is the stunning foundation of a sweeping investigation of human mythologies, as the Hildebrandt family navigate the political and social crosscurrents of the past fifty years ''His best novel yet ... A Middlemarch -like triumph'' Telegraph ''Crossroads is the spiritual successor to The Corrections . . .It is a testament to Franzen''s authorial habits of empathy, his curiosity about the lives of others, his efforts in a land of cliche to add twists to easy assumptions, that you are likely to find yourself caring about how things turn out for each of the Hildebrandts equally'' Observer It''s December 23, 1971, and heavy weather is forecast for Chicago. Russ Hildebrandt, the associate pastor of a liberal suburban church, is on the brink of breaking free of a marriage he finds joyless - unless his wife, Marion, who has her own secret life, beats him to it. Their eldest child, Clem, is coming home from college on fire with moral absolutism, having taken an action that will shatter his father. Clem''s sister, Becky, long the social queen of her high-school class, has sharply veered into the counterculture, while their brilliant younger brother Perry, who''s been selling drugs to seventh-graders, has resolved to be a better person. Each of the Hildebrandts seeks a freedom that each of the others threatens to complicate. Jonathan Franzen''s novels are celebrated for their unforgettably vivid characters and their keen-eyed take on the complexities of contemporary America. Now, for the first time, in Crossroads , Franzen explores the history of a generation. With characteristic humour and complexity, and with even greater warmth, he conjures a world that feels no less immediate. A tour de force of interwoven perspectives and sustained suspense, Crossroads is the story of a Midwestern family at a historical moment of moral crisis. Jonathan Franzen''s gift for melding the small picture and the big picture has never been more dazzlingly evident. ''A mellow, marzipan-hued ''70s-era heartbreaker. Crossroads is warmer than anything [Franzen has] yet written, wider in its human sympathies, weightier of image and intellect'' New York Times